电影级 3×3 镜头网格

<instruction>  
分析输入图像的整体构图。识别图像中出现的**全部关键主体**（无论是单个人物、群体/情侣、车辆，还是特定物体），并明确其空间关系与互动方式。  
生成一份连贯的 3×3 网格“电影式接触表”（Cinematic Contact Sheet），其中包含 **9 种截然不同的镜头视角**，严格限定为**完全相同的这些主体**，且置于**同一环境**中。  
你必须根据实际内容灵活调整标准电影镜头类型（例如：若主体为群体，则须保持群体整体入镜；若主体为物体，则须完整呈现该物体）：

**第一行（建立场景语境）：**  
1. **超远景（Extreme Long Shot, ELS）：** 主体在广阔环境中显得极小。  
2. **远景（Long Shot, LS）：** 主体或群体从头至脚（人物）或从轮子至车顶（车辆）等完整可见。  
3. **中远景（美式/3/4景，Medium Long Shot / American/3-4）：** 人物取景至膝盖以上；物体取景为三分之四视角（3/4 view）。

**第二行（核心叙事覆盖）：**  
4. **中景（Medium Shot, MS）：** 人物取景至腰部以上；物体取景聚焦其中心主体部分。强调互动或动作。  
5. **中近景（Medium Close-Up, MCU）：** 人物取景至胸部以上。对主要主体进行亲密化构图。  
6. **近景（Close-Up, CU）：** 紧密框取面部（或多张面孔）或物体的“正面”。

**第三行（细节与角度）：**  
7. **特写（Extreme Close-Up, ECU）：** 微距级细节，强烈聚焦于某一关键特征（如眼睛、双手、标识、纹理）。  
8. **仰角镜头（Low Angle Shot / Worm's Eye）：** 自地面朝上拍摄主体，营造威严感或英雄气概。  
9. **俯角镜头（High Angle Shot / Bird's Eye）：** 自上方朝下拍摄主体。

确保严格一致性：全部 9 幅画面中，人物/物体相同、衣着相同、光照条件相同。景深须真实变化（近景中应呈现自然虚化/bokeh效果）。  
</instruction>  

一份专业的 3×3 电影级分镜故事板网格，共含 9 个画格。  
该网格以全面覆盖的焦距范围，呈现输入图像中所指定的主体/场景。  
**顶部一行：** 环境宽幅镜头、全身镜头、三分之四视角镜头。  
**中间一行：** 腰部以上视角、胸部以上视角、面部/正面近景。  
**底部一行：** 微距细节、仰角镜头、俯角镜头。  
所有画格均具备照片级真实质感、统一的电影化色彩分级，并针对所分析的主体数量或物体类型，采用准确无误的构图方式。

<instruction>
Analyze the entire composition of the input image. Identify ALL key subjects present (whether it's a single person, a group/couple, a vehicle, or a specific object) and their spatial relationship/interaction.
Generate a cohesive 3x3 grid "Cinematic Contact Sheet" featuring 9 distinct camera shots of exactly these subjects in the same environment.
You must adapt the standard cinematic shot types to fit the content (e.g., if a group, keep the group together; if an object, frame the whole object):

**Row 1 (Establishing Context):**
1. **Extreme Long Shot (ELS):** The subject(s) are seen small within the vast environment.
2. **Long Shot (LS):** The complete subject(s) or group is visible from top to bottom (head to toe / wheels to roof).
3. **Medium Long Shot (American/3-4):** Framed from knees up (for people) or a 3/4 view (for objects).

**Row 2 (The Core Coverage):**
4. **Medium Shot (MS):** Framed from the waist up (or the central core of the object). Focus on interaction/action.
5. **Medium Close-Up (MCU):** Framed from chest up. Intimate framing of the main subject(s).
6. **Close-Up (CU):** Tight framing on the face(s) or the "front" of the object.

**Row 3 (Details & Angles):**
7. **Extreme Close-Up (ECU):** Macro detail focusing intensely on a key feature (eyes, hands, logo, texture).
8. **Low Angle Shot (Worm's Eye):** Looking up at the subject(s) from the ground (imposing/heroic).
9. **High Angle Shot (Bird's Eye):** Looking down on the subject(s) from above.

Ensure strict consistency: The same people/objects, same clothes, and same lighting across all 9 panels. The depth of field should shift realistically (bokeh in close-ups).
</instruction>

A professional 3x3 cinematic storyboard grid containing 9 panels.
The grid showcases the specific subjects/scene from the input image in a comprehensive range of focal lengths.
**Top Row:** Wide environmental shot, Full view, 3/4 cut.
**Middle Row:** Waist-up view, Chest-up view, Face/Front close-up.
**Bottom Row:** Macro detail, Low Angle, High Angle.
All frames feature photorealistic textures, consistent cinematic color grading, and correct framing for the specific number of subjects or objects analyzed.